Selected Solos

2024 - 2025

TBD, School of Art Gallery, University of Manitoba, Winnipeg, MB. [Forthcoming]
curated by Blair Fornwald

2024

TBD, Ignition Project Space, Chicago, IL. [Forthcoming]

TBD, SHED Projects, Cleveland, OH. [Forthcoming]

2022

Open House Spatter, Western Exhibitions, Chicago, IL.

Open House Spatter, CIRCA Art Actuel, Montréal, QC.

2021

Open House Spatter, Art-in-Buildings, 125 Maiden Lane, Time Equities Inc., New York, NY.
curated by Tessa Ferreyros and Eliana Blechman

2019

Drum, Craft Council Main Gallery, St. John's, NL.

In the Shadows, Art League Houston Main Gallery, Houston, TX.

2017

Thumb Through, TRUCK Contemporary Art, Calgary, AB.

My-O-My, CP Projects Space at School of Visual Arts, New York, NY.
curated by Jasa McKenzie

2015

Citations, Eastern Edge Gallery, St. John’s, NL.

Citations, Box13 Artspace, Houston, TX.

2014

Post Performance Syndrome, Wooster Street Window Gallery [Installation] and Crimson Field, Prince Street Project Space [Installation and Performance], The Leslie-Lohman Museum of Art, New York, NY.

2011

Openwork, CAA MFA, Hunter College/Times Square Gallery, New York, NY.

2009

Hard Candy, Malaspina Printmakers Gallery, Vancouver, BC.

2008

The Birds & the Boys, Plank Gallery, Vancouver, BC.

Selected Two-Person, Group Exhibitions, and Performances [P]

2024

Displacing Structures, Angels Gate Cultural Center Art Gallery, San Pedro, CA. [Forthcoming]
curated by Fafnir Adamites

Cosmic Geometries: The Prairies Edge, Carrie Secrist Gallery, Chicago, IL. [Forthcoming]
curated by Dannielle Tegeder and Sharmistha Ray of Hilma’s Ghost

2022

The Sum of the Parts: Dimensions in Quilting, Craft Contemporary, Los Angeles, CA.
curated by Holly Jerger

Not me, Not that, Not nothing Either, The Leslie-Lohman Museum of Art, New York, NY.
curated by Nirvana Santos-Kuilan and Rachel Beaudoin

2021 - 2022

High Touch, John Michael Kohler Arts Center, Sheboygan, WI.
curated by Kaytie Johnson

2021

NADA Miami, Art Fair, Western Exhibitions (Chicago, IL), Miami, FL.

Sensorius: Where The Skin Meets The Eye, Craft Council Main Gallery, St. John’s, NL.
curated by Bruno Vinhas

Eight of Pentacles, RUSCHMAN, Chicago, IL.

2020

Queer Threads, Katzen Arts Center at American University, Washington, DC. [Physical exhibition cancelled due to COVID-19]
curated by John Chaich

2019 - 2020

Queer Abstraction, Nerman Museum of Contemporary Art, Overland Park, KS.
curated by Jared Ledesma

Décorientations, Siblings, Chicago, IL.
curated by Matt Morris

2019

contrapposto, Victoria Arts Council Gallery, Victoria, BC.
curated by Kegan McFadden

Queer Abstraction, Des Moines Art Center, Des Moines, IA.
curated by Jared Ledesma

Installment No. 21, Museum of Longing and Failure at the Darling Foundry, Montréal, QC.

Weighted Wait, 'Celebrating the Lunar Year', Dedalus Foundation at Industry City, Brooklyn, NY. [P]
a Tatlo collaboration

Pure 'Joy', Western Exhibitions, Chicago, IL.
organized by INVISIBLE-EXPORTS

2018

Material Futurity, Law Warschaw Gallery, Saint Paul, MN.
curated by Jehra Patrick and Susannah Magers

Queer Voices, LH Horton Jr Gallery, Stockton, CA.
curated by Jan Marlese and Kirstyn Russell

Intertwined, Michael O’Brian Exhibition Commons at Emily Carr University of Art + Design, Vancouver, BC.

Queer(ing) Pleasures, District of Columbia Arts Center, Washington, DC.
curated by Andy Johnson

Ipseity, Penticton Art Gallery, Penticton, BC.
curated by Paul Crawford and Tobaron Waxman

Historical Amnesia, BronxArtSpace, Bronx, NY.
curated by Gabriel de Guzman

2017

If You Were In My Body, Fierman, New York, NY.
organized by Deric Carner

Kamias Triennial, Kamias Special Projects, Quezon City, Philippines.
a Tatlo collaboration organized and curated by Allison Collins and Patrick Cruz

Kinetic Intimacies, Museum of Arts and Design, New York, NY. [P]
performed by Alvaro Gonzalez Dupuy and Sara Jimenez
curated by Danny Orendorff and Angelik Vizcarrondo-Laboy

2016

Like Smoke, Equity Gallery, New York, NY.
curated by Osman Can Yerebakan

Cut Ups: Queer Collage Practices, The Leslie-Lohman Museum of Art, New York, NY.
co-organized by David Frantz, Lucas Hilderbrand, and Kayleigh Perkov

Parsons Alumni Exhibition, Arnold and Sheila Aronson Galleries, Sheila C. Johnson Design Center, New York, NY.

Queering Space, Green Gallery at Yale University School of Art, New Haven, CT.
curated by Loren Britton, Shikeith Nieree, Christie Denizio, Erik Freer, Johnathan Robert Payne, Asad Pervaiz, Res, Buzz Slutzky, and Erica Wessmann

Installment No. 17, Museum of Longing and Failure at Künstlerhaus Bethanien, Berlin, Germany.

Desire on the Edge, Trestle Gallery, Brooklyn, NY.
curated by Emma Katz and Megan Piontkowski

Queering the BibliObject, The Center for Book Arts, New York, NY.
curated by John Chaich

Cock, Paper, Scissors, ONE Archives at Long Hall, Plummer Park, West Hollywood, CA.
co-organized by David Frantz, Lucas Hilderbrand, and Kayleigh Perkov

2015

On the Domestic Front: Scenes of Everyday Queer Life, The Leslie-Lohman Museum of Art, New York, NY.
curated by James M. Saslow

Soft Core, INVISIBLE-EXPORTS, New York, NY.

Because Unfathomable, Wil Aballe Art Projects, Vancouver, BC.

2014 - 2015

Crossing Brooklyn, Brooklyn Museum, Brooklyn, NY.
a Tatlo collaboration
curated by Eugenie Tsai and Rujeko Hockley

2014

Somewheres & Nowheres, International Print Center New York, New York, NY.
selected by Nicola López

Turning To Night, Le Petit Versailles, New York, NY. [P]
curated by Troy Davis, Yvette Choy, and Coral Short

Softer, Softest, Delicious Spectacle, Washington, DC.
curated by Eames Armstrong

Billow, Lower Manhattan Cultural Council’s Annual Benefit, Conrad New York, New York, NY. [P]
with Sara Jimenez

HARD TIMES: Selected Works by 3 Years of FIAR Residents, Prince Street Project Space, The Leslie-Lohman Museum of Art, New York, NY.

2013

In Spirit…, Strange Loop Gallery, New York, NY. [P]
a Tatlo collaboration

Queer Objectivity, University of Maryland Stamp Gallery, College Park, MD.
curated by Kris Grey

Department of Accumulated Thoughts: 14th Street Archive Division Overtime, Art in Odd Places: NUMBER, New York, NY. [P]
a Tatlo collaboration
curated by Radhika Subramaniam

Off the Wall, Affordable Art Fair, New York, NY.
curated by Dan Halm and Richard Stauffacher

30x30 Part2, Artcite: An Artist-Run Centre for the Contemporary Arts, Windsor, ON.

Repurposing Curiosa, Fuchs Projects, Brooklyn, NY.
curated by Miguel Libarnes

Smile and Shut Up, SUPERNOVA Performance Art Festival: A Rosslyn Arts Project, Rosslyn, VA. [P]
curated by Eames Armstrong

Department of Accumulated Thoughts: Bowery Division, Ideas City Streetfest, The New Museum, Art in Odd Places: NUMBER, New York, NY. [P]
a Tatlo collaboration
curated by Radhika Subramaniam via AiOP

2012

Keeping it in the Family, Glasshouse, Brooklyn, NY. [P]
a Tatlo collaboration

Severed Ties, Governors Island Art Fair, New York, NY
collaboration with Michael Watson

Unbuttoned, Button Factory (APT 16), Newark, NJ.
curated by Brendan Mahoney

(RE)PURPOSE, Parsons Graduate MFA Thesis Exhibition, The Kitchen, New York, NY.
curated by Jane Panetta and Veronica Roberts

Conosco, Reverse Art Space, Brookyln, NY. [P]
curated by Paula Rezende

Cabaret of Failure, The New School, Wollman Hall, New York, NY. [P]
curated by Reena Katz

2011

Design the Future, Spazio Luce, Milan, Italy.

Chain Letter, Samsøn Gallery, Boston, MA.

Private Interventions, Janus Project, Brooklyn, NY.
with Gabriela Jiménez
curated by Margo Wolowiec

CAA MFA Exhibition, Hunter College/Times Square Gallery, New York, NY.
curated by Carin Kuoni

2010

The 2010 Great LGBTQ Photo Show, The Leslie-Lohman Museum of Art, New York, NY.

Six Artists, Two Cities. Art from Vancouver and Havana, Centro de Desarrollo de las Artes Visuales, Havana, Cuba.
with Tonel, Phillip McCrum, Robyn Laba, Ana Olema, and Eduardo Ponjuan

Sights/Sites of Spectacle, 29th Annual AHVA Graduate Symposium and Exhibition, AHVA Gallery, Vancouver, BC.

2009

Anonyme Zeichner N°10, Kunstraum Kreuzberg/Bethanien, Berlin, Germany.

The Dead 2, SWARM 2009, Great Northern Way Studios, Vancouver, BC.

2008

Hot Off the Press, Malaspina Printmakers Gallery, Vancouver, BC.

2007

Yours Truly: UBC Undergraduate Exhibition, “SAM” Building, Vancouver, BC.

2006

BIMPE IV, Tuktu Studio, Whitehorse, Yukon.

BIMPE IV, Dundarave Print Workshop Gallery, Vancouver, BC.

BIMPE IV, Federation Gallery, Vancouver, BC.

Screenings

2019

Object Subject, "New York Feminist Film Week", Anthology Film Archives, New York, NY.
A Tatlo collaboration
curated by Maya Suess

2016

Toil and Trouble, "Waltz for Lonely Ghosts", Collingwood Arts Center, Toledo, OH.
collaboration with Really Large Numbers

Trigger Warning, “Smile and Shut Up”, presented by Coven Berlin at Kleiner Salon, Berlin, Germany.
curated by Coral Short

2015

Trigger Warning, “Smile and Shut Up”, Queer Art Festival, Vancouver, BC.
curated by Coral Short

Curatorial Projects

2014

Periphery Projects Performance Series, Strange Loop Gallery, New York, NY.
co-curated with Sara Jimenez
Artists: Jessica Posner (January), Angeli Sion (February), Michael Watson (March), Kris Grey (March)

2013

Morph, Fowler Arts Collective Gallery, Brooklyn, NY.
co-curated with AM DeBrincat

2012

Threaded Conversations, 25 East Gallery, New York, NY.
co-curated with Brenda Goldstein

Selected Press

2022

Rigou, Vasia. “Ghastly in Pink: A Review of Jade Yumang’s “Open House Spatter” at Western Exhibitions”. Newcity Art (December).

Hudson, Suzanne. “The Sum of the Parts: Dimensions in Quilting”. Artforum (October): 195-196.

Yerebakan, Osman Can. “A Craft Contemporary Exhibition Searches for New Dimensions in Quilting”. Metropolis (September).

Ludman, Rebekah. “Portraying Farm Workers Beyond Fields, Honoring Gay Liberation: New LA Art”. KCRW (July).

Morris, Matt. Private Parts. Exhibition Essay. CIRCA Art Actuel (January - March).

2021

“Jade Yumang: Open House Spatter”. Press Release. Art-in-Buildings (March).

“The Look of Love: The Art of Affection”. Art Canada Institute (February).

2020

“Jade Yumang”. Step Mother Nature (December).

Sanader, Daniella. “Writing Through Desire”. Canadian Art (May).

Ségard, Michel. “Décorientations”. New Art Examiner (January).

2019

Badr, Ethan. “Artist explores queer form and sculptural abstraction”. NEXUS (November).

Berson, Amber. “Maintaining Our Own Histories”. Canadian Art (November).

McFadden, Kegan. “contrapposto”. contrapposto. Exhibition Catalogue. Victoria Arts Council (November).

Trusty, Rachel. “Queer Abstraction at Des Moines Art Center”. Art Margins: Contemporary Art Across the Evolving Global Peripheries (September).

Lancaster, Lex Morgan. “Queer Abstraction”. ASAP Journal (July).

Ledesma, Jared. “Jade Yumang”. Queer Abstraction. Exhibition Catalogue. Des Moines Art Center (June-September): 60.

Barcio, Phillip. “How Queer Artists Used Abstraction to Express Themselves”. IdeelArt (June).

White, Barrett. "Figures in the Shadows: Finding Queer Representation in Film Noir with Artist Jade Yumang". Spectrum South (January).

2018 - 2019

Hollenbach, Julie. "In the Body: A National Survey of 10 Artists Who Use Pleasure to Defy and Subvert". Canadian Art (Winter): 84.

2018

Magers, Susannah. "Towards a Horizon Line". Material Futurity. Exhibition Catalogue. Law Warshaw Gallery at Macalester College (November).

Amirkhani, Jordan, Dr. "Queer(ing) Pleasure". Bmore Art (October).

Hope, Eric. "East City Art Reviews: Queer(ing) Pleasure At District of Columbia Arts Center". East City Art (September).

Dynes, Margot. "Idea sparked in graduate school ‘manifests’ into art exhibit exploring LGBTQ sexuality". The GW Hatchet (September).

Johnson, Andy. "A Queer Politics of Pleasure". Queer(ing) Pleasures. Exhibition Catalogue. District of Columbia Arts Center (September-October).

Gauss, Daniel. "Historical Amnesia: Group Show at BronxArtSpace, the Bronx". Wall Street International (March).

2017

Sorell, Lindsay. "Jade Yumang at TRUCK Contemporary Art in Calgary". Akimbo (November).

Gerard, Lenny. "These Talented Queer Fiber Artists Will Blow You Away". Out Magazine (November).

Garza, Evan. Thumb Through: Jade Yumang and My-O-My. Exhibition Catalogue. TRUCK Contemporary Art in Calgary (October-December).

Sinner, Lauren. "In Print: Queer Threads: Crafting Identity and Community". Surface Design Association 41.3 (Fall): 66-67.

Suess, Maya. "Soft and Stiff, A Hanging Tassel". Ed. Helen Reed. Art Criticism & Other Short Stories. Issue 3: 22-27.

2016

Disser, Nicole. "An Art Show Where Queer Bodies are Phantasmagoric, Vanishing, and Void". Bedford+Bowery (December).

Wu, Danielle. "Blow by Blow: 'Like Smoke' At Equity Gallery". Filthy Dreams (December).

"Collage Exhibition Explores Queer and Feminine Identity". Orlando Advocate (November).

Emory, Sami. "Intimate Collages Celebrate Queerness and Feminism in Print". The Creators Project (November).

Frantz, David Evans, Lucas Hilderbrand, and Kayleigh Perkov. “Cut Ups: Queer Collage Practices”. The Archive: The Journal of the Leslie-Lohman Museum of Gay and Lesbian Art. Issue 58: 5.

Colucci, Emily. "John Chaich: On the Queer Connections to Books and Curating 'Queering the BibliObject'". LAMBDA Literary (June).

McCafferty, Kelly. ”Letting Go Through Discipline: A Profile of Jade Yumang”. The Coastal Post (March).

2015

On the Domestic Front: Scenes of Everyday Queer Life. Curated by James M. Saslow. The Leslie-Lohman Museum of Gay and Lesbian Art. Exhibition Catalogue. 71.

Molčan, Jessica. ““Being an Artist and Everything Else” | A Workshop Review and Summary”. CARFAC BC (July).

Furlong, Sarah. “Eastern Edge Gallery Hosting Summer Exhibition Featuring Jamie Ross and Jade Yumang”. Outport Magazine (June).

Nuzzi, Kris. “Short List”. BRIC Arts Media Blog (April).

Ramsey, Dillon. “The Next Great Adventure”. VANDOCUMENT (February).

2014

Mann, Mark. “Brooklyn is Everything: Artworlds Apart in a Gentrified Borough”. MOMUS: A Return to Art Criticism (December).

Nakiska, Tempe. “Revolt the system: Parsons The New School’s Anthony Aziz talks student subcultures and the politics wave”. HERO Magazine (October).

Laramie, Emma. “Crossing Brooklyn at the Brooklyn Museum”. New York Minute Magazine (October).

Puleo, Risa. “"Crossing Brooklyn" Reveals More About the Borough, Less About Its Art”. Blouin ARTINFO (October).

Jones, Julianne. “Brooklyn Museum Unveils Latest Exhibit, “Crossing Brooklyn””. Side Project (October).

Lee, Diana Seo Hyung. “Crossing Brooklyn”. ArtAsiaPacific (October).

Serra, Corrado. “Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond at Brooklyn Museum, October 3, 2014 – January 4, 2015”. Art Summary: A Visual Journal (October).

Regatao, Gisele. “Horses, Masks, Speeches and Other Art Made In Brooklyn”. WNYC (October).

Johnson, Ken. "The Artist Next Door, 'Crossing Brooklyn' Local Talent at Brooklyn Museum". The New York Times (October).

Boucher, Brian. ““Crossing Brooklyn” Highlights Borough’s Artists, from Bushwick to Bay Ridge”. Art in America (April).

Crossing Brooklyn: art from Bushwick, Bed-Stuy, and beyond. Curated by Eugenie Tsai and Rujeko Hockley. Brooklyn Museum. Exhibition Catalogue. 110-111.

Carney, Chrissy. “The Very Best of NYC Art: The Orchid Show, Jade Yumang, Carrie Mae Weems and much more”. *GO Magazine *(April).

2013

Sander, Daniel J. “Jade Yumang: Post Performance Syndrome and Crimson Field”. The Archive: The Journal of the Leslie-Lohman Museum of Gay and Lesbian Art. Issue 48: 23.

Armstrong, Eames. “Interview: Kris Grey, “Queer Objectivity”.” Peri0d (November).

Pulos, Will. “Cut Out For This: New exhibit Repurposing Curiosa to explore the intersection of erotica and gay culture.” NEXT Magazine (August).

Ahmed, Tasnim. “On Performance Art / A Few Things Learned.” v-e-l-l-u-m (July).

Steinhauer, Jillian. “Art Rx.” Hyperallergic (February).

2012

Fialho, Alex. “Fire Island Artist Residency Comes Into Its Own, Pt 2.” ArtFagCity (August).

Beltran, Francesca. “Conosco.” NYLON Magazine Mexico (June): 116-117.

Saville, Chad. “LOOK: Reverse Art Space // Group Exhibition: Reverse Art Space in Williamsburg, Brooklyn Exhibits 13 Local & International Artists.” Beautiful Savage. (May).

2011

Leibowitz, Kristy. “Red Redemption,” Tinsel Tokyo Magazine. Volume 5 (November): 18.

2010

Gomez, Enrico. “The 2010 Great LGBTQ Photo Show.” The Archive: The Journal of the Leslie/Lohman Gay Art Foundation. Issue 35: 3-11.

Mateo, David. “Seis artistas, dos ciudades.” Interview with Tonel. Arte por Excelencias. Edición 76. Artes Plásticas Contemporáneas del Caribe y las Américas (16 June).

2009

Hard Candy. Exhibition Catalogue. Malaspina Printmakers (May-June).

Residencies

2024

Studios at MASS MoCA, North Adams, MA. [Forthcoming]

2022

Roger Brown Residency, New Buffalo, MI.

2016

Bemis Center for Contemporary Arts, Omaha, NE.

Opossum House, Eugene, OR.
a Tatlo collaboration

2014

Fine Arts Work Center Summer Program, Provincetown, MA.
funded by the Archie D. and Bertha H. Walker Scholarship

2013

Lower Manhattan Cultural Council Swing Space Residency, New York, NY.

2012

Fire Island Artist Residency, Cherry Grove, Suffolk County, NY.

Atlantic Center for the Arts, Master Artists-In-Residence Program with Pepón Osorio, New Smyrna Beach, FL.
funded by the Joan Mitchell Foundation Scholarship Fund

Selected Awards/Fundings

2023

Faculty Enrichment Grant
School of the Art Institute of Chicago

2022

Shortlist for Visual Arts
Creative Capital

2019 - 2020

Research and Creation Grant
Canada Council for the Arts

2017

Project Assistance for Visual Artists
British Columbia Arts Council

2016

Project Grants to Visual Artists
Canada Council for the Arts

2015

Professional Development Project Assistance (Travel Grant)
British Columbia Arts Council

2014

Travel Grants to Professionals in the Visual Arts
Canada Council for the Arts

Archie D. and Bertha H. Walker Scholarship
Fine Arts Work Center

2012

Joan Mitchell Foundation Scholarship Fund
Atlantic Center for the Arts

2011

Graduate Dean’s Scholarship
Parsons School of Design

Nicole John Scholarship
Parsons School of Design

Scholarship Award (Senior Level)
British Columbia Arts Council

2010

Graduate Dean’s Scholarship
Parsons School of Design

Joseph-Armand Bombardier Canada Graduate Scholarships - Master’s scholarship
Social Sciences and Humanities Research Council of Canada
Awarded, but did not accept

Professional Development Fund (Trip to Havana, Cuba)
University of British Columbia

2009

Scholarship Award (Senior Level)
British Columbia Arts Council
Awarded, but did not accept

2008

University of BC Medal in Fine Arts
head of the graduating class in Fine Arts, BFA degree

Student Scholarship
Malaspina Printmakers

2006

Joseph Black Bursary
University of British Columbia

Roy Kiyooka Memorial Bursary in Fine Arts
University of British Columbia

Faculty Women’s Club Anne Ida Green Scholarship
University of British Columbia

Interviews

2017

Gunn, Tim. "Jade Yumang: Interviewed by Tim Gunn". Eds. John Chaich and Todd Oldham. Queer Threads: Crafting Identity and Community (LA and NY: Ammo Books). 62-65 and 147-148.

Colucci, Emily and Osman Can Yerebakan. "Sewing Desire from the Pages of Vintage Erotica: An Interview with Jade Yumang". Filthy Dreams (January).

2016

Bryan-Wilson, Julia. “Fixing or Infecting: Jade Yumang in conversation with Julia Bryan-Wilson”. Eds. David Evans Frantz, Lucas Hilderbrand, and Kayleigh Perkov. Exhibition Catalogue. Book design by Content Object (Kimberly Varella). Install photographs by Ian Bryers-Gamber. Cock, Paper, Scissors (LA: ONE Archives at the USC Libraries with the Leslie-Lohman Museum of Gay and Lesbian Art). 101-106.

2014

Ya, Hel. “Tatlo Makes Art Out of Cubicles”. American FOBs (September).
a Tatlo collaboration

2013

Redell, Kaitlynn. “Performance Triple Threat”. ArtFile Magazine (June).
a Tatlo collaboration

2011

Wolowiec, Margo. “Private Interventions: Interview with Jade Yumang”. Janus Project (May).

2008

Cheung, Carmen. “Conversations: Jade Yumang and Carmen K. Cheung”. Chop 33.2 (Winter): 18-23.

Selected Authored Publications

2019

“Frayed Politics: Looking at Textile’s Intersectionality,” Book Review of Fray: Art and Textile Politics by Julia Bryan-Wilson. The Journal of Modern Craft 12.3 (November): 291-293.

“He Had Money and Standing, They Had Youth and Beauty: A Response to About Face: Stonewall, Revolt and Queer Art,” Exhibition Review with Matt Morris as primary writer. QED: A Journal in GLBTQ Worldmaking 6.3 (Fall): 166-188.

2018

"Archiving Fleeting Moments," Anywhere V.II. Edited by Dr. Sean Lowry and Simone Douglas. Project Anywhere and; Parsons Fine Arts, School of Art, Media and Technology, Parsons School of Design, The New School; and Victorian College of the Arts, Faculty of Fine Arts and Music (2018): 106-109.
a Tatlo collaboration

“A Constant Rewriting,” Context. Curated by Simranpreet Kaur Anand. Exhibition Catalogue. Hatch Art Gallery (January): 3-5.

2017

“Fleeting Joys of Energy: Kelly McCafferty,” Interview. ArtFile Magazine (June).

“Between the Physical and the Ephemeral: Eleanor King,” Interview. ArtFile Magazine (June).

“The Physical Layers of History: Carlie Trosclair,” Interview. ArtFile Magazine (June).

“Participatory Positions: Einat Amir,” Interview. ArtFile Magazine (June).

“Anna Garner and her Slapstick Minimalism,” Interview. Blacklisted (March).

2016

“Slapstick Minimalism: Anna Garner,” Interview. ArtFile Magazine (October).

“Austerity and Absurdity: Lewis & Taggart,” Interview. ArtFile Magazine (February).

2015

“Serious Side of History: Tonel,” Interview. ArtFile Magazine (September).

Sculpture for Headmaster Magazine No. 7, The Field Trip Issue.

“Desires, Dreams, & Excess: Ghost of a Dream,” Interview. ArtFile Magazine (February).

Illustrations for Rezm Orah’s poetry book. O Intérprete/Hole. Book design by Paula Rezende.

2014

“Stubborn Site-Specific: Camilo Leyva,” Interview. ArtFile Magazine (December).

Gluzman, Yelena and Sophia Cleary, eds. Emergency INDEX Vol. 3 (New York: Ugly Duckling Presse), 242-243.

“Intuitive Investigation: Hein Koh,” Interview. ArtFile Magazine (August).

“Suggested Encounters: Romy Scheroder,” Interview. ArtFile Magazine (July).

2013

“Street as Studio: Cecile Beck,” Interview. ArtFile Magazine (November).

“Master Mixologist: Jean Betancourt,” Interview. ArtFile Magazine (September).

“Shut Up and Smile,” WIP Issue #1 (June).

“The Laboring Body: Brendan Fernandes,” Interview. ArtFile Magazine (June).

2012

Sculpture for Anamesa: An Interdisciplinary Journal. New York University. Volume 10, Number 1 (Spring): 70-71.

2011

“2084: A Vision of the Future,” our art criticism (27 June).

2010

"The Somatic Car and the Absence of the Gay Body: Resisting Heterosexist Spectacle through Indexical Representation," our art criticism (November).

Selected Talks/Conferences

2022

Fine Arts Alumni Panel, Parsons School of Design, New York, NY.

Artist Lecture Series, Tulsa Artist Fellowship, Tulsa, OK.

2021

Fine Arts Speaker Series, snəw̓eyəɬ leləm̓, Langara College, Vancouver, BC.

Return to the Real: Fall Exhibition Series Celebration, John Michael Kohler Arts Center, Sheboygan, WI.

Artists in Conversation: High Touch, John Michael Kohler Arts Center, Sheboygan, WI.

2019

Visiting Artist Series, Visual Arts Department, Camosun College, Victoria, BC.

Talking Sex, Synergies Salon, School of the Art Institute of Chicago, IL.

2017

Twilight Hour, Lecture Series, Emily Carr University of Art + Design, Vancouver, BC.

2016

Anywhere and Elsewhere: Art at the Outermost Limits of Location-Specificity, A Two-Day Conference Event at Parsons School of Design, New York, NY.
a Tatlo collaboration
curated by Simone Douglas and Sean Lowry

2015

Citations (Jade Yumang) and Rousings (Jamie Ross), Eastern Edge Gallery, St. John’s, NL.
led by Chloe Lewis

2014

Momentum, Alumni Visiting Artists Series, Fine Arts, Parsons School of Design, New York, NY.
a Tatlo collaboration

2012

Focus & Motivation: Artists Presenting their Art, Lecture Series, Hunter College, New York, NY.

Visiting Artist/Workshops

2021

Visiting Artist
for Emily Hermant's Making, Meaning, Materials (SCLP 210)
Sculpture and Expanded Practices, Emily Carr University + Design, Vancouver, BC.

Visiting Artist
for Jennifer Schmidt’s Advanced Print: Special Projects (PRT 0116)
School of the Museum of the Fine Arts, Tufts University, Boston, MA.

Visiting Artist
for Flux Factory, Long Island City, NY.

Visiting Artist
for Fafnir Adamites’ Queering the Fiber Studio
Eskenazi School of Art, Architecture + Design, Indiana University, Bloomington, IN.

2020

Visiting Artist
for Emily Hermant's Making, Meaning, Materials (SCLP 210)
Sculpture and Expanded Practices, Emily Carr University + Design, Vancouver, BC.

Visiting Artist
for Matt Morris’ Décorientations (PTDW 3002)
Painting and Drawing Department, School of the Art Institute of Chicago, IL.

2019

Visiting Artist
for Matt Morris’ Décorientations (PTDW 3002)
Painting and Drawing Department, School of the Art Institute of Chicago, IL.

2018

Visiting Artist
for Law Warshaw Gallery; Idea Lab; Women's, Gender, and Sexuality Studies Department; and Art and Art History Department
Macalester College, Saint Paul, MN.

Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s class (VISA/ARTH 479: Performance Actions and Approaches)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.

2016

Visiting Artist
for Sara Jimenez' undergraduate class
Fine Arts, Parsons School of Design, New York, NY.

Visiting Artist
for Maria Anna Parolin's undergraduate class
Fine Arts Department, Kwantlen Polytechnic University, Surrey, BC.

Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s class (VISA/ARTH 479: Performance Actions and Approaches)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.

Visiting Artist/Workshop Instructor
Artist Mentorship Program
Richmond Art Gallery, Richmond, BC.

2015

Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s course on performance (VISA 471A/ARTH 440C)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.

Instructor
A Huge Sigh of Relief
Malaspina Printmakers, Vancouver, BC.

Workshop Instructor
Being an Artist and Everything Else
Centre A, Vancouver, BC.
In conjunction with We Are Woven Through with Strangers and Strangeness
curated by Alex Cu Unjieng

2014

Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s course on performance (VISA 471A/ARTH 440C)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.

Collections

The Progressive Art Collection.

The Craft Council of Newfoundland and Labrador.

The Leslie-Lohman Museum of Art, New York, NY.

University of British Columbia, Vancouver, BC.

Private Collections.

Teaching

2023 - Present

Associate Professor
Department of Fiber and Material Studies
School of the Art Institute of Chicago

2018 - 2023

Assistant Professor
Department of Fiber and Material Studies
School of the Art Institute of Chicago

2018

Sessional Lecturer
Print Media Department
Emily Carr University + Design, Vancouver, BC.

2014 - 2018

Sessional Lecturer
Department of Art History, Visual Arts & Theory
University of British Columbia, Vancouver, BC.

Education

2012

MFA with Departmental Honors (Fine Arts)
Parsons School of Design, New York, NY.
thesis advisors: Mira Schor and Coco Fusco

2008

BFA Honors (Visual Arts)
University of British Columbia, Vancouver, BC.
top of the graduating class