Born in Quezon City, Philippines and named after Jade’s mother’s beauty salon, Jade then grew up in Dubai, United Arab Emirates, and immigrated to Vancouver, BC, Canada, which is the traditional, ancestral, and unceded Indigenous territories of the ʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) First Nations. Jade currently lives in Chicago, IL, USA, which sits on the traditional homelands of the people of the Council of Three Fires, the Ojibwe, Potawatomi, and Odawa as well as the Menominee, Miami and Ho-Chunk nations.
Jade is an Assistant Professor in the Department of Fiber and Material Studies at the School of the Art Institute of Chicago.
Title TBD, School of Art Gallery, University of Manitoba, Winnipeg, MB. [Forthcoming]
Title TBD, Ignition Project Space, Chicago, IL. [Forthcoming]
Title TBD, Western Exhibitions, Chicago, IL. [Forthcoming]
Open House Spatter, CIRCA Art Actuel, Montréal, QC.
Open House Spatter, Art-in-Buildings, 125 Maiden Lane, Time Equities Inc., New York, NY.
curated by Tessa Ferreyros and Eliana Blechman
Drum, Craft Council Main Gallery, St. John's, NL.
In the Shadows, Art League Houston Main Gallery, Houston, TX.
Thumb Through, TRUCK Contemporary Art, Calgary, AB.
My-O-My, CP Projects Space at School of Visual Arts, New York, NY.
curated by Jasa McKenzie
Citations, Eastern Edge Gallery, St. John’s, NL.
Citations, Box13 Artspace, Houston, TX.
Post Performance Syndrome, Wooster Street Window Gallery [Installation] and Crimson Field, Prince Street Project Space [Installation and Performance], The Leslie-Lohman Museum of Art, New York, NY.
Openwork, CAA MFA, Hunter College/Times Square Gallery, New York, NY.
Hard Candy, Malaspina Printmakers Gallery, Vancouver, BC.
The Birds & the Boys, Plank Gallery, Vancouver, BC.
The Sum of the Parts: Dimensions in Quilting, Craft Contemporary, Los Angeles, CA.
curated by Holly Jerger
Not me, Not that, Not nothing Either, The Leslie-Lohman Museum of Art, New York, NY.
curated by Nirvana Santos-Kuilan and Rachel Beaudoin
High Touch, John Michael Kohler Arts Center, Sheboygan, WI.
curated by Kaytie Johnson
NADA Miami, Art Fair, Western Exhibitions (Chicago, IL), Miami, FL.
Sensorius: Where The Skin Meets The Eye, Craft Council Main Gallery, St. John’s, NL.
curated by Bruno Vinhas
Eight of Pentacles, RUSCHMAN, Chicago, IL.
Queer Threads, Katzen Arts Center at American University, Washington, DC. [Physical exhibition cancelled due to COVID-19]
curated by John Chaich
Queer Abstraction, Nerman Museum of Contemporary Art, Overland Park, KS.
curated by Jared Ledesma
Décorientations, Siblings, Chicago, IL.
curated by Matt Morris
contrapposto, Victoria Arts Council Gallery, Victoria, BC.
curated by Kegan McFadden
Queer Abstraction, Des Moines Art Center, Des Moines, IA.
curated by Jared Ledesma
Installment No. 21, Museum of Longing and Failure at the Darling Foundry, Montréal, QC.
Weighted Wait, 'Celebrating the Lunar Year', Dedalus Foundation at Industry City, Brooklyn, NY. [P]
a Tatlo collaboration
Pure 'Joy', Western Exhibitions, Chicago, IL.
organized by INVISIBLE-EXPORTS
Material Futurity, Law Warschaw Gallery, Saint Paul, MN.
curated by Jehra Patrick and Susannah Magers
Queer Voices, LH Horton Jr Gallery, Stockton, CA.
curated by Jan Marlese and Kirstyn Russell
Intertwined, Michael O’Brian Exhibition Commons at Emily Carr University of Art + Design, Vancouver, BC.
Queer(ing) Pleasures, District of Columbia Arts Center, Washington, DC.
curated by Andy Johnson
Ipseity, Penticton Art Gallery, Penticton, BC.
curated by Paul Crawford and Tobaron Waxman
Historical Amnesia, BronxArtSpace, Bronx, NY.
curated by Gabriel de Guzman
If You Were In My Body, Fierman, New York, NY.
organized by Deric Carner
Kamias Triennial, Kamias Special Projects, Quezon City, Philippines.
a Tatlo collaboration organized and curated by Allison Collins and Patrick Cruz
Kinetic Intimacies, Museum of Arts and Design, New York, NY. [P]
performed by Alvaro Gonzalez Dupuy and Sara Jimenez
curated by Danny Orendorff and Angelik Vizcarrondo-Laboy
Like Smoke, Equity Gallery, New York, NY.
curated by Osman Can Yerebakan
Cut Ups: Queer Collage Practices, The Leslie-Lohman Museum of Art, New York, NY.
co-organized by David Frantz, Lucas Hilderbrand, and Kayleigh Perkov
Parsons Alumni Exhibition, Arnold and Sheila Aronson Galleries, Sheila C. Johnson Design Center, New York, NY.
Queering Space, Green Gallery at Yale University School of Art, New Haven, CT.
curated by Loren Britton, Shikeith Nieree, Christie Denizio, Erik Freer, Johnathan Robert Payne, Asad Pervaiz, Res, Buzz Slutzky, and Erica Wessmann
Installment No. 17, Museum of Longing and Failure at Künstlerhaus Bethanien, Berlin, Germany.
Desire on the Edge, Trestle Gallery, Brooklyn, NY.
curated by Emma Katz and Megan Piontkowski
Queering the BibliObject, The Center for Book Arts, New York, NY.
curated by John Chaich
Cock, Paper, Scissors, ONE Archives at Long Hall, Plummer Park, West Hollywood, CA.
co-organized by David Frantz, Lucas Hilderbrand, and Kayleigh Perkov
On the Domestic Front: Scenes of Everyday Queer Life, The Leslie-Lohman Museum of Art, New York, NY.
curated by James M. Saslow
Soft Core, INVISIBLE-EXPORTS, New York, NY.
Because Unfathomable, Wil Aballe Art Projects, Vancouver, BC.
Crossing Brooklyn, Brooklyn Museum, Brooklyn, NY.
a Tatlo collaboration
curated by Eugenie Tsai and Rujeko Hockley
Somewheres & Nowheres, International Print Center New York, New York, NY.
selected by Nicola López
Turning To Night, Le Petit Versailles, New York, NY. [P]
curated by Troy Davis, Yvette Choy, and Coral Short
Softer, Softest, Delicious Spectacle, Washington, DC.
curated by Eames Armstrong
Billow, Lower Manhattan Cultural Council’s Annual Benefit, Conrad New York, New York, NY. [P]
with Sara Jimenez
HARD TIMES: Selected Works by 3 Years of FIAR Residents, Prince Street Project Space, The Leslie-Lohman Museum of Art, New York, NY.
In Spirit…, Strange Loop Gallery, New York, NY. [P]
a Tatlo collaboration
Queer Objectivity, University of Maryland Stamp Gallery, College Park, MD.
curated by Kris Grey
Department of Accumulated Thoughts: 14th Street Archive Division Overtime, Art in Odd Places: NUMBER, New York, NY. [P]
a Tatlo collaboration
curated by Radhika Subramaniam
Off the Wall, Affordable Art Fair, New York, NY.
curated by Dan Halm and Richard Stauffacher
30x30 Part2, Artcite: An Artist-Run Centre for the Contemporary Arts, Windsor, ON.
Repurposing Curiosa, Fuchs Projects, Brooklyn, NY.
curated by Miguel Libarnes
Smile and Shut Up, SUPERNOVA Performance Art Festival: A Rosslyn Arts Project, Rosslyn, VA. [P]
curated by Eames Armstrong
Department of Accumulated Thoughts: Bowery Division, Ideas City Streetfest, The New Museum, Art in Odd Places: NUMBER, New York, NY. [P]
a Tatlo collaboration
curated by Radhika Subramaniam via AiOP
Keeping it in the Family, Glasshouse, Brooklyn, NY. [P]
a Tatlo collaboration
Severed Ties, Governors Island Art Fair, New York, NY
collaboration with Michael Watson
Unbuttoned, Button Factory (APT 16), Newark, NJ.
curated by Brendan Mahoney
(RE)PURPOSE, Parsons Graduate MFA Thesis Exhibition, The Kitchen, New York, NY.
curated by Jane Panetta and Veronica Roberts
Conosco, Reverse Art Space, Brookyln, NY. [P]
curated by Paula Rezende
Cabaret of Failure, The New School, Wollman Hall, New York, NY. [P]
curated by Reena Katz
Design the Future, Spazio Luce, Milan, Italy.
Chain Letter, Samsøn Gallery, Boston, MA.
Private Intervetions, Janus Project, Brooklyn, NY.
with Gabriela Jiménez
curated by Margo Wolowiec
CAA MFA Exhibition, Hunter College/Times Square Gallery, New York, NY.
curated by Carin Kuoni
The 2010 Great LGBTQ Photo Show, The Leslie-Lohman Museum of Art, New York, NY.
Six Artists, Two Cities. Art from Vancouver and Havana, Centro de Desarrollo de las Artes Visuales, Havana, Cuba.
with Tonel, Phillip McCrum, Robyn Laba, Ana Olema, and Eduardo Ponjuan
Sights/Sites of Spectacle, 29th Annual AHVA Graduate Symposium and Exhibition, AHVA Gallery, Vancouver, BC.
Anonyme Zeichner N°10, Kunstraum Kreuzberg/Bethanien, Berlin, Germany.
The Dead 2, SWARM 2009, Great Northern Way Studios, Vancouver, BC.
Hot Off the Press, Malaspina Printmakers Gallery, Vancouver, BC.
2007
Yours Truly: UBC Undergraduate Exhibition, “SAM” Building, Vancouver, BC.
BIMPE IV, Tuktu Studio, Whitehorse, Yukon.
BIMPE IV, Dundarave Print Workshop Gallery, Vancouver, BC.
BIMPE IV, Federation Gallery, Vancouver, BC.
Object Subject, "New York Feminist Film Week", Anthology Film Archives, New York, NY.
A Tatlo collaboration
curated by Maya Suess
Toil and Trouble, "Waltz for Lonely Ghosts", Collingwood Arts Center, Toledo, OH.
collaboration with Really Large Numbers
Trigger Warning, “Smile and Shut Up”, presented by Coven Berlin at Kleiner Salon, Berlin, Germany.
curated by Coral Short
Trigger Warning, “Smile and Shut Up”, Queer Art Festival, Vancouver, BC.
curated by Coral Short
Periphery Projects Performance Series, Strange Loop Gallery, New York, NY.
co-curated with Sara Jimenez
Artists: Jessica Posner (January), Angeli Sion (February), Michael Watson (March), Kris Grey (March)
Morph, Fowler Arts Collective Gallery, Brooklyn, NY.
co-curated with AM DeBrincat
Threaded Conversations, 25 East Gallery, New York, NY.
co-curated with Brenda Goldstein
Yerebakan, Osman Can. “A Craft Contemporary Exhibition Searches for New Dimensions in Quilting”. Metropolis (September).
Ludman, Rebekah. “Portraying Farm Workers Beyond Fields, Honoring Gay Liberation: New LA Art”. KCRW (July).
Morris, Matt. Private Parts. Exhibition Essay. CIRCA Art Actuel (January - March).
“Jade Yumang: Open House Spatter”. Press Release. Art-in-Buildings (March).
“The Look of Love: The Art of Affection”. Art Canada Institute (February).
“Jade Yumang”. Step Mother Nature (December).
Sanader, Daniella. “Writing Through Desire”. Canadian Art (May).
Ségard, Michel. “Décorientations”. New Art Examiner (January).
Badr, Ethan. “Artist explores queer form and sculptural abstraction”. NEXUS (November).
Berson, Amber. “Maintaining Our Own Histories”. Canadian Art (November).
McFadden, Kegan. “contrapposto”. contrapposto. Exhibition Catalogue. Victoria Arts Council (November).
Trusty, Rachel. “Queer Abstraction at Des Moines Art Center”. Art Margins: Contemporary Art Across the Evolving Global Peripheries (September).
Lancaster, Lex Morgan. “Queer Abstraction”. ASAP Journal (July).
Ledesma, Jared. “Jade Yumang”. Queer Abstraction. Exhibition Catalogue. Des Moines Art Center (June-September): 60.
Barcio, Phillip. “How Queer Artists Used Abstraction to Express Themselves”. IdeelArt (June).
White, Barrett. "Figures in the Shadows: Finding Queer Representation in Film Noir with Artist Jade Yumang". Spectrum South (January).
Hollenbach, Julie. "In the Body: A National Survey of 10 Artists Who Use Pleasure to Defy and Subvert". Canadian Art (Winter): 84.
Magers, Susannah. "Towards a Horizon Line". Material Futurity. Exhibition Catalogue. Law Warshaw Gallery at Macalester College (November).
Amirkhani, Jordan, Dr. "Queer(ing) Pleasure". Bmore Art (October).
Hope, Eric. "East City Art Reviews: Queer(ing) Pleasure At District of Columbia Arts Center". East City Art (September).
Dynes, Margot. "Idea sparked in graduate school ‘manifests’ into art exhibit exploring LGBTQ sexuality". The GW Hatchet (September).
Johnson, Andy. "A Queer Politics of Pleasure". Queer(ing) Pleasures. Exhibition Catalogue. District of Columbia Arts Center (September-October).
Gauss, Daniel. "Historical Amnesia: Group Show at BronxArtSpace, the Bronx". Wall Street International (March).
Sorell, Lindsay. "Jade Yumang at TRUCK Contemporary Art in Calgary". Akimbo (November).
Gerard, Lenny. "These Talented Queer Fiber Artists Will Blow You Away". Out Magazine (November).
Garza, Evan. Thumb Through: Jade Yumang and My-O-My. Exhibition Catalogue. TRUCK Contemporary Art in Calgary (October-December).
Sinner, Lauren. "In Print: Queer Threads: Crafting Identity and Community". Surface Design Association 41.3 (Fall): 66-67.
Suess, Maya. "Soft and Stiff, A Hanging Tassel". Ed. Helen Reed. Art Criticism & Other Short Stories. Issue 3: 22-27.
Disser, Nicole. "An Art Show Where Queer Bodies are Phantasmagoric, Vanishing, and Void". Bedford+Bowery (December).
Wu, Danielle. "Blow by Blow: 'Like Smoke' At Equity Gallery". Filthy Dreams (December).
"Collage Exhibition Explores Queer and Feminine Identity". Orlando Advocate (November).
Emory, Sami. "Intimate Collages Celebrate Queerness and Feminism in Print". The Creators Project (November).
Frantz, David Evans, Lucas Hilderbrand, and Kayleigh Perkov. “Cut Ups: Queer Collage Practices”. The Archive: The Journal of the Leslie-Lohman Museum of Gay and Lesbian Art. Issue 58: 5.
Colucci, Emily. "John Chaich: On the Queer Connections to Books and Curating 'Queering the BibliObject'". LAMBDA Literary (June).
McCafferty, Kelly. ”Letting Go Through Discipline: A Profile of Jade Yumang”. The Coastal Post (March).
On the Domestic Front: Scenes of Everyday Queer Life. Curated by James M. Saslow. The Leslie-Lohman Museum of Gay and Lesbian Art. Exhibition Catalogue. 71.
Molčan, Jessica. ““Being an Artist and Everything Else” | A Workshop Review and Summary”. CARFAC BC (July).
Furlong, Sarah. “Eastern Edge Gallery Hosting Summer Exhibition Featuring Jamie Ross and Jade Yumang”. Outport Magazine (June).
Nuzzi, Kris. “Short List”. BRIC Arts Media Blog (April).
Ramsey, Dillon. “The Next Great Adventure”. VANDOCUMENT (February).
Mann, Mark. “Brooklyn is Everything: Artworlds Apart in a Gentrified Borough”. MOMUS: A Return to Art Criticism (December).
Nakiska, Tempe. “Revolt the system: Parsons The New School’s Anthony Aziz talks student subcultures and the politics wave”. HERO Magazine (October).
Laramie, Emma. “Crossing Brooklyn at the Brooklyn Museum”. New York Minute Magazine (October).
Puleo, Risa. “"Crossing Brooklyn" Reveals More About the Borough, Less About Its Art”. Blouin ARTINFO (October).
Jones, Julianne. “Brooklyn Museum Unveils Latest Exhibit, “Crossing Brooklyn””. Side Project (October).
Lee, Diana Seo Hyung. “Crossing Brooklyn”. ArtAsiaPacific (October).
Serra, Corrado. “Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond at Brooklyn Museum, October 3, 2014 – January 4, 2015”. Art Summary: A Visual Journal (October).
Regatao, Gisele. “Horses, Masks, Speeches and Other Art Made In Brooklyn”. WNYC (October).
Johnson, Ken. "The Artist Next Door, 'Crossing Brooklyn' Local Talent at Brooklyn Museum". The New York Times (October).
Boucher, Brian. ““Crossing Brooklyn” Highlights Borough’s Artists, from Bushwick to Bay Ridge”. Art in America (April).
Crossing Brooklyn: art from Bushwick, Bed-Stuy, and beyond. Curated by Eugenie Tsai and Rujeko Hockley. Brooklyn Museum. Exhibition Catalogue. 110-111.
Carney, Chrissy. “The Very Best of NYC Art: The Orchid Show, Jade Yumang, Carrie Mae Weems and much more”. GO Magazine (April).
Sander, Daniel J. “Jade Yumang: Post Performance Syndrome and Crimson Field”. The Archive: The Journal of the Leslie-Lohman Museum of Gay and Lesbian Art. Issue 48: 23.
Armstrong, Eames. “Interview: Kris Grey, “Queer Objectivity”.” Peri0d (November).
Pulos, Will. “Cut Out For This: New exhibit Repurposing Curiosa to explore the intersection of erotica and gay culture.” NEXT Magazine (August).
Ahmed, Tasnim. “On Performance Art / A Few Things Learned.” v-e-l-l-u-m (July).
Steinhauer, Jillian. “Art Rx.” Hyperallergic (February).
Fialho, Alex. “Fire Island Artist Residency Comes Into Its Own, Pt 2.” ArtFagCity (August).
Beltran, Francesca. “Conosco.” NYLON Magazine Mexico (June): 116-117.
Saville, Chad. “LOOK: Reverse Art Space // Group Exhibition: Reverse Art Space in Williamsburg, Brooklyn Exhibits 13 Local & International Artists.” Beautiful Savage. (May).
Leibowitz, Kristy. “Red Redemption,” Tinsel Tokyo Magazine. Volume 5 (November): 18.
Gomez, Enrico. “The 2010 Great LGBTQ Photo Show.” The Archive: The Journal of the Leslie/Lohman Gay Art Foundation. Issue 35: 3-11.
Mateo, David. “Seis artistas, dos ciudades.” Interview with Tonel. Arte por Excelencias. Edición 76. Artes Plásticas Contemporáneas del Caribe y las Américas (16 June).
Hard Candy. Exhibition Catalogue. Malaspina Printmakers (May-June).
Assistant Professor
Department of Fiber and Material Studies
School of the Art Institute of Chicago
Sessional Lecturer
Print Media Department
Emily Carr University + Design, Vancouver, BC.
Sessional Lecturer
Department of Art History, Visual Arts & Theory
University of British Columbia, Vancouver, BC.
MFA with Departmental Honors (Fine Arts)
Parsons School of Design, New York, NY.
thesis advisors: Mira Schor and Coco Fusco
BFA Honors (Visual Arts)
University of British Columbia, Vancouver, BC.
top of the graduating class
Roger Brown Residency, New Buffalo, MI.
Bemis Center for Contemporary Arts, Omaha, NE.
Opossum House, Eugene, OR.
a Tatlo collaboration
Fine Arts Work Center Summer Program, Provincetown, MA.
funded by the Archie D. and Bertha H. Walker Scholarship
Lower Manhattan Cultural Council Swing Space Residency, New York, NY.
Fire Island Artist Residency, Cherry Grove, Suffolk County, NY.
Atlantic Center for the Arts, Master Artists-In-Residence Program with Pepón Osorio, New Smyrna Beach, FL.
funded by the Joan Mitchell Foundation Scholarship Fund
Research and Creation Grant
Canada Council for the Arts
Project Assistance for Visual Artists
British Columbia Arts Council
Project Grants to Visual Artists
Canada Council for the Arts
Professional Development Project Assistance (Travel Grant)
British Columbia Arts Council
Travel Grants to Professionals in the Visual Arts
Canada Council for the Arts
Archie D. and Bertha H. Walker Scholarship
Fine Arts Work Center
Joan Mitchell Foundation Scholarship Fund
Atlantic Center for the Arts
Graduate Dean’s Scholarship
Parsons School of Design
Nicole John Scholarship
Parsons School of Design
Scholarship Award (Senior Level)
British Columbia Arts Council
Graduate Dean’s Scholarship
Parsons School of Design
Joseph-Armand Bombardier Canada Graduate Scholarships - Master’s scholarship
Social Sciences and Humanities Research Council of Canada
Awarded, but did not accept
Professional Development Fund (Trip to Havana, Cuba)
University of British Columbia
Scholarship Award (Senior Level)
British Columbia Arts Council
Awarded, but did not accept
University of BC Medal in Fine Arts
head of the graduating class in Fine Arts, BFA degree
Student Scholarship
Malaspina Printmakers
Joseph Black Bursary
University of British Columbia
Roy Kiyooka Memorial Bursary in Fine Arts
University of British Columbia
Faculty Women’s Club Anne Ida Green Scholarship
University of British Columbia
Visiting Artist
for Emily Hermant's Making, Meaning, Materials (SCLP 210)
Sculpture and Expanded Practices, Emily Carr University + Design, Vancouver, BC.
Visiting Artist
for Jennifer Schmidt’s Advanced Print: Special Projects (PRT 0116)
School of the Museum of the Fine Arts, Tufts University, Boston, MA.
Visiting Artist
for Flux Factory, Long Island City, NY.
Visiting Artist
for Fafnir Adamites’ Queering the Fiber Studio
Eskenazi School of Art, Architecture + Design, Indiana University, Bloomington, IN.
Visiting Artist
for Emily Hermant's Making, Meaning, Materials (SCLP 210)
Sculpture and Expanded Practices, Emily Carr University + Design, Vancouver, BC.
Visiting Artist
for Matt Morris’ Décorientations (PTDW 3002)
Painting and Drawing Department, School of the Art Institute of Chicago, IL.
Visiting Artist
for Matt Morris’ Décorientations (PTDW 3002)
Painting and Drawing Department, School of the Art Institute of Chicago, IL.
Visiting Artist
for Law Warshaw Gallery; Idea Lab; Women's, Gender, and Sexuality Studies Department; and Art and Art History Department
Macalester College, Saint Paul, MN.
Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s class (VISA/ARTH 479: Performance Actions and Approaches)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.
Visiting Artist
for Sara Jimenez' undergraduate class
Fine Arts, Parsons School of Design, New York, NY.
Visiting Artist
for Maria Anna Parolin's undergraduate class
Fine Arts Department, Kwantlen Polytechnic University, Surrey, BC.
Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s class (VISA/ARTH 479: Performance Actions and Approaches)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.
Visiting Artist/Workshop Instructor
Artist Mentorship Program
Richmond Art Gallery, Richmond, BC.
Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s course on performance (VISA 471A/ARTH 440C)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.
Instructor
A Huge Sigh of Relief
Malaspina Printmakers, Vancouver, BC.
Workshop Instructor
Being an Artist and Everything Else
Centre A, Vancouver, BC.
In conjunction with We Are Woven Through with Strangers and Strangeness
curated by Alex Cu Unjieng
Visiting Artist/Workshop Instructor
for Dr. Catherine Soussloff’s course on performance (VISA 471A/ARTH 440C)
Department of Art History, Visual Art and Theory, University of British Columbia, Vancouver, BC.
Gunn, Tim. "Jade Yumang: Interviewed by Tim Gunn". Eds. John Chaich and Todd Oldham. Queer Threads: Crafting Identity and Community (LA and NY: Ammo Books). 62-65 and 147-148.
Colucci, Emily and Osman Can Yerebakan. "Sewing Desire from the Pages of Vintage Erotica: An Interview with Jade Yumang". Filthy Dreams (January).
Bryan-Wilson, Julia. “Fixing or Infecting: Jade Yumang in conversation with Julia Bryan-Wilson”. Eds. David Evans Frantz, Lucas Hilderbrand, and Kayleigh Perkov. Exhibition Catalogue. Book design by Content Object (Kimberly Varella). Install photographs by Ian Bryers-Gamber. Cock, Paper, Scissors (LA: ONE Archives at the USC Libraries with the Leslie-Lohman Museum of Gay and Lesbian Art). 101-106.
Ya, Hel. “Tatlo Makes Art Out of Cubicles”. American FOBs (September).
a Tatlo collaboration
Redell, Kaitlynn. “Performance Triple Threat”. ArtFile Magazine (June).
a Tatlo collaboration
Wolowiec, Margo. “Private Interventions: Interview with Jade Yumang”. Janus Project (May).
Cheung, Carmen. “Conversations: Jade Yumang and Carmen K. Cheung”. Chop 33.2 (Winter): 18-23.
“Frayed Politics: Looking at Textile’s Intersectionality,” Book Review of Fray: Art and Textile Politics by Julia Bryan-Wilson. The Journal of Modern Craft 12.3 (November): 291-293.
“He Had Money and Standing, They Had Youth and Beauty: A Response to About Face: Stonewall, Revolt and Queer Art,” Exhibition Review with Matt Morris as primary writer. QED: A Journal in GLBTQ Worldmaking 6.3 (Fall): 166-188.
"Archiving Fleeting Moments," Anywhere V.II. Edited by Dr. Sean Lowry and Simone Douglas. Project Anywhere and; Parsons Fine Arts, School of Art, Media and Technology, Parsons School of Design, The New School; and Victorian College of the Arts, Faculty of Fine Arts and Music (2018): 106-109.
a Tatlo collaboration
“A Constant Rewriting,” Context. Curated by Simranpreet Kaur Anand. Exhibition Catalogue. Hatch Art Gallery (January): 3-5.
“Fleeting Joys of Energy: Kelly McCafferty,” Interview. ArtFile Magazine (June).
“Between the Physical and the Ephemeral: Eleanor King,” Interview. ArtFile Magazine (June).
“The Physical Layers of History: Carlie Trosclair,” Interview. ArtFile Magazine (June).
“Participatory Positions: Einat Amir,” Interview. ArtFile Magazine (June).
“Anna Garner and her Slapstick Minimalism,” Interview. Blacklisted (March).
“Slapstick Minimalism: Anna Garner,” Interview. ArtFile Magazine (October).
“Austerity and Absurdity: Lewis & Taggart,” Interview. ArtFile Magazine (February).
“Serious Side of History: Tonel,” Interview. ArtFile Magazine (September).
Sculpture for Headmaster Magazine No. 7, The Field Trip Issue.
“Desires, Dreams, & Excess: Ghost of a Dream,” Interview. ArtFile Magazine (February).
Illustrations for Rezm Orah’s poetry book. O Intérprete/Hole. Book design by Paula Rezende.
“Stubborn Site-Specific: Camilo Leyva,” Interview. ArtFile Magazine (December).
Gluzman, Yelena and Sophia Cleary, eds. Emergency INDEX Vol. 3 (New York: Ugly Duckling Presse), 242-243.
“Intuitive Investigation: Hein Koh,” Interview. ArtFile Magazine (August).
“Suggested Encounters: Romy Scheroder,” Interview. ArtFile Magazine (July).
“Street as Studio: Cecile Beck,” Interview. ArtFile Magazine (November).
“Master Mixologist: Jean Betancourt,” Interview. ArtFile Magazine (September).
“Shut Up and Smile,” WIP Issue #1 (June).
“The Laboring Body: Brendan Fernandes,” Interview. ArtFile Magazine (June).
Sculpture for Anamesa: An Interdisciplinary Journal. New York University. Volume 10, Number 1 (Spring): 70-71.
“2084: A Vision of the Future,” our art criticism (27 June).
"The Somatic Car and the Absence of the Gay Body: Resisting Heterosexist Spectacle through Indexical Representation," our art criticism (November).
Artist Lecture Series, Tulsa Artist Fellowship, Tulsa, OK.
Fine Arts Speaker Series, snəw̓eyəɬ leləm̓, Langara College, Vancouver, BC.
Return to the Real: Fall Exhibition Series Celebration, John Michael Kohler Arts Center, Sheboygan, WI.
Artists in Conversation: High Touch, John Michael Kohler Arts Center, Sheboygan, WI.
Visiting Artist Series, Visual Arts Department, Camosun College, Victoria, BC.
Talking Sex, Synergies Salon, School of the Art Institute of Chicago, IL.
Twilight Hour, Lecture Series, Emily Carr University of Art + Design, Vancouver, BC.
Anywhere and Elsewhere: Art at the Outermost Limits of Location-Specificity, A Two-Day Conference Event at Parsons School of Design, New York, NY.
a Tatlo collaboration
curated by Simone Douglas and Sean Lowry
Citations (Jade Yumang) and Rousings (Jamie Ross), Eastern Edge Gallery, St. John’s, NL.
led by Chloe Lewis
Momentum, Alumni Visiting Artists Series, Fine Arts, Parsons School of Design, New York, NY.
a Tatlo collaboration
Focus & Motivation: Artists Presenting their Art, Lecture Series, Hunter College, New York, NY.
Emerging Artist Grant
ArtFile Magazine
The Progressive Art Collection.
The Craft Council of Newfoundland and Labrador.
The Leslie-Lohman Museum of Art, New York, NY.
University of British Columbia, Vancouver, BC.
Private Collections.