I examine how queer optics permeate into culture, how that is absorbed, embodied, repeated, and eventually materialized into deviating forms through a variety of techniques to convey notions of phenomenology, affect, and “queer” as a process. This strategy is usually executed through three-dimensional, site-specific installation, and performative work as a way to see how the body resists or submits through materiality and technique vis-à-vis obsessive acts, strict parameters, and forms of discipline. I look at flickers of resistance through the tracing of historical amnesia, myths, scandal trials, obscenity laws, love, kinship, joy, filmic tropes, and pornography. I kindle these moments through meticulous techniques and create abstract shapes that initially come from a corporeal form. Typically, these ideas are tackled through a large series to tease out its formal qualities with the context that repetition creates differences and asserts a constant change. I filter this work primarily using fiber techniques as a direct physical touch to concept, ways of worldmaking, and acknowledge its complex history through a queer misalignment in order to collapse boundaries.