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For this series I am removing the body altogether and see whether or not queer form can exist without its evident use. These soft sculpture assemblage series is an offshoot of my Queer Monster series in terms of picking up the formal shapes and techniques that I have developed. The title refers to George Bataille’s concept of “formless” as a visual conduit to my sculptures. A strategy to collapse systems of repression against the body.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© Jade Yumang